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strict";a.r(t);var n=a(0),i=a.n(n),o=a(50),r=a.n(o),s=(a(265),a(134)),l=a.n(s),c=a(37),h=a(38),u=a(39),m=a(40),d=a(41),p=a(447),f=a(446),y=function(e){function t(){return Object(c.a)(this,t),Object(u.a)(this,Object(m.a)(t).apply(this,arguments))}return Object(d.a)(t,e),Object(h.a)(t,[{key:"render",value:function(){return i.a.createElement(p.a.Group,{widths:"4",color:"pink"},i.a.createElement(f.a,{trigger:i.a.createElement(p.a,null,"Intro"),closeIcon:!0},i.a.createElement(f.a.Content,{scrolling:!0},i.a.createElement(f.a.Description,null,i.a.createElement("p",{align:"center"},i.a.createElement("strong",null,"Introduction")),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},'The following art pieces are part of the jewelry collection titled \u201cA Sensual Truth\u201d.\xa0\xa0\xa0An exploration of conceptual critical thinking through form, texture and color to create new aesthetic values that help us understand a mythical chimera from a contemporary point of view. You can read the essay about the collection in the section "Creative Process".'),i.a.createElement("p",{align:"justify"},"Yari Nanichi design and manufacture luxury art objects with the following principles:"),i.a.createElement("p",{align:"justify"},"\u2022 The use of the finest materials in an extremely desirable beautiful object difficult to resist produced in scarcity."),i.a.createElement("p",{align:"justify"},"\u2022 Explore creativity for aesthetic revolutions and cultural mutation."),i.a.createElement("p",{align:"justify"},"\u2022 Make jewelry sculptures as art to wear to elevate our human condition."),i.a.createElement("p",{align:"justify"},"\u2022 In \u201cArt to Wear\u201d you are not giving to the artist a wall to hang a painting, you are giving your body, is an intimate interaction with the art piece and I do not want to betray your trust, I want my art to be worthy of your body and your soul."),i.a.createElement("br",null)))),i.a.createElement(f.a,{trigger:i.a.createElement(p.a,null,"Creative"),closeIcon:!0},i.a.createElement(f.a.Content,{scrolling:!0},i.a.createElement(f.a.Description,null,i.a.createElement("p",{align:"center"},i.a.createElement("strong",null,"The Creative Process")),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"If you work in a profession related to art like an art critic, art historian or a critical thinking artist, the content of this project is business as usual and nothing radical.  But, if your understanding of jewelry is what you commonly see in shopping malls, then this work is going to blow your mind and you will never see jewelry as before."),i.a.createElement("p",{align:"justify"},"I am a sculptural jewelry designer and goldsmith, also an explorer with studies in The Humanities, in perpetual search trying to find or build the path to humanity through art as a human experience. The quest for our humanity is truly an epic journey and we usually write our findings in the scrolls of life with the most gratified and enigmatic language of all, the language of Art.  Specifically for this project, art to wear, sculptures you can wear. People often call my work jewelry, but it is much more than jewelry, it has something else more valuable than gold and gems."),i.a.createElement("p",{align:"justify"},"I want to share with you the intense creative process behind the scene of an sculptural jewelry collection (art to wear). And I warn you, what is coming is not the usual brainstorm of an artist trying to solve a design minor esthetic problem. Hold on tight because what is coming is a category five conceptual art hurricane capable of triggering the conditions for the metamorphosis of Homo sapiens to humanize state. Because everybody born Homo sapiens, but not everybody died humanized."),i.a.createElement("p",{align:"justify"},"Art is one of the strongest pillars that sustain our civilization, our humanity depends on this mysterious activity, without art we are just a colony of ants.  Let\u2019s make art!"),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"The Creative Process")," (quickie version):"),i.a.createElement("p",{align:"justify"},"I first introduce some primary conceptual elements as the soul behind the physical object, because the pieces from this jewelry collection are not simple decorative ornaments with the only purpose of profits, I am not a merchant of gold and gems, this is conceptual art, is something else, much more else. It aspires to be a collection of art objects of transcendental meaning."),i.a.createElement("p",{align:"justify"},"For this collection the conceptual elements are: ",i.a.createElement("strong",null,"\u201cTruth\u201d")," and ",i.a.createElement("strong",null,"\u201cSensuality\u201d"),", to forge the following conceptual title:",i.a.createElement("strong",null,"\xa0\xa0\xa0\u201cA Sensual Truth\u201d"),".\xa0\xa0And the first question that arise to me is: it is possible that the truth be sensual? We will see. Every jewelry piece from the collection need to evoke and be ",i.a.createElement("strong",null,"\u201cA Sensual Truth\u201d"),", this is the conceptual challenge a priori, the essence that precedes existence and the soul behind the physical object that impart existential meaning."),i.a.createElement("p",{align:"justify"},"How we translate a non-physical abstraction like the concepts \u201cTruth\u201d and \u201cSensuality\u201d to the physical world as an art object?"),i.a.createElement("p",{align:"justify"},"Very easy, with ",i.a.createElement("i",null,"symbolic")," logic, the help of sentence-forming operators from logic.  The translation has to respect the basic principle of logic:"),i.a.createElement("p",{align:"justify"},"If ",i.a.createElement("strong",null,"P")," then ",i.a.createElement("strong",null,"Q")),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"P\u2192Q")),i.a.createElement("p",{align:"justify"},"If ",i.a.createElement("strong",null,"P")," (the physical jewelry sculpture) has the conditional, ",i.a.createElement("i",null,"sufficient condition"),", to represent ",i.a.createElement("strong",null,"Q")," (the abstract concept). And in some instances, it could be more appropriate the biconditional of ",i.a.createElement("strong",null,"P")," and ",i.a.createElement("strong",null,"Q")," where ",i.a.createElement("strong",null,"P")," is a ",i.a.createElement("i",null,"necessary condition"),"."),i.a.createElement("p",{align:"justify"},"Only if ",i.a.createElement("strong",null,"P")," then ",i.a.createElement("strong",null,"Q")),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"P\u2194Q")),i.a.createElement("p",{align:"justify"},"The double arrow symbol helps to emphasize the mutuality of the relationship between ",i.a.createElement("strong",null,"P")," and ",i.a.createElement("strong",null,"Q"),". If the translated representation not comply with the principles of logic, then the physical object is not a true representation of the concepts and you are forcing people to accept a false statement as true, a logic fallacy. The use of propositional logic, predicate logic and other systems help the artist in the construction of aesthetic cognoscitive patterns to communicate the ideas and intentions behind the piece of art.  Constructing an aesthetic logic argument in a jewelry sculpture using: form, texture, color, light, gold and gems, instead of words from a written language with very clear pre-defined meaning, is a very complex and overwhelming task. For example, the meaning of an aesthetic logic argument changes drastically if we use a natural baroque pearl instead of a perfect spherical cultivated pearl.  The natural baroque pearl is Dionysian (excess, instinct, nature, chaos, irrationality, lack of discipline, pure freedom) and the perfect spherical cultivated pearl is Apollonian (restraint, reason, control over nature, order, repression through laws).  The philosopher Friedrich Nietzsche used the terms Dionysian and Apollonian to analyze and explain the character of Greek tragedy in his book The Birth of Tragedy."),i.a.createElement("p",{align:"justify"},"One Shortcut to understand how to achieve the soundness or validity in an aesthetic logic argument is to use Aristotle definition of essence from his work Metaphysics. The abstract concept (A Sensual Truth) and its physical representation (the physical jewelry sculpture) must share the same essence and this shared essence is the ",i.a.createElement("i",null," sufficient condition"),". Aristotle also told us that you can know something for what is not, you can know what it is by knowing what is not.   After deconstructing an object, physical or abstract, and eliminating all its accidents (non-essential properties), to purify the object essence, and then you obtain as a result the necessary properties that made the entity what it is."),i.a.createElement("p",{align:"justify"},"Poets use a variant of this method all the time with similes and metaphors that explain something with something else that share the same essence. For example, the following verse from Pablo Neruda:"),"Y el verso cae al alma como al pasto el roc\xedo.",i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"And the verse falls to the soul as to the grass the dew."),i.a.createElement("p",{align:"justify"},"You understand a pleasurable experience to the soul by understanding something that happen to the grass.  The dew is desirable to the grass as the verse is desirable to the soul and this is the essential bridge between both.  Dew water is life to the grass as the verse give life to the soul and you can understand this also by negation; the grass without water is as dead as a soul without poetry.  Also, the gentleness of how droplets of dew form on the grass is a sensuous image with the same essence of verse sensuous gentleness to the soul that contrast with prose pragmatic form of cognition. And the grass cannot resist the dew as the soul cannot resist the verse, because the verse is like the perfect lover who rests gracefully on your soul, caressing your senses, caressing your infinite being. It is the lover that we cannot resist, as the grass cannot resist the wet dew that refreshes its naked nature in the open field."),i.a.createElement("p",{align:"justify"},"And this is what a good artist always pursuit in the piece of art, ",i.a.createElement("strong",null,"\u201cA cognition in crescendo that leads you to spiritual enlightenment and existential ecstasy\u201d."),"\xa0\xa0\xa0Oops! I am proposing intellectual hedonism with the art object as the catalyst."),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"The concepts of \u201cTruth\u201d and \u201cSensuality\u201d")),i.a.createElement("p",{align:"justify"},"The concept of \u201cTruth\u201d appeal to our reason, is an experience that take place in our intellect as the pinnacle of reason and the concept of \u201cSensuality\u201d appeal to the biological animal in us, is an experience that take place in our senses.  The Greeks represented these concepts as two opposite forces with Apollo the God of light and truth and Dionysus the God of ecstasy and sensuality.  It is also represented with the myth of the Minotaur. In the myth the hero Theseus enter a labyrinth to conquer and kill the beast. In addition to the geo-political antagonism between Athens (Theseus) and Crete (Minotaur), the labyrinth also symbolizes the internal conflict and the struggle between our rational intellects represented by Theseus with one\u2019s animal sensual nature represented by the Minotaur (the bull in the Minoan civilization is associated with Dionysus)."),i.a.createElement("p",{align:"justify"},"As a contemporary artist I prefer to merge in the design this opposite values with harmony in pursuit of new aesthetics values and not kill one with the other, like in the Minotaur myth, because the expression of our sensuality embedded in our DNA (animal) is as important as our intellect (reason).  Denying or excessive suppression of the animal in us is a dangerous proposition.  Euripides (c. 480 \u2013 c. 406 BC) noticed the flaws from Greek scholar\u2019s obsession with reason, and over-reliance on reason, including himself, and wrote a marvelous antithesis with his play The Bacchae (405 BC).  A play I will plan to revisit seeking conceptual advice and inspiration for this jewelry collection."),i.a.createElement("p",{align:"justify"},'The following examples briefly illustrate how other artists present "antagonistic entities" in their work, how these opposite symbolism and values occupy the canvas and how these artists handle the narrative of opposing forces colliding.'),i.a.createElement("p",{align:"justify"},"\u2022 Caravaggio was the foremost exponent of Tenebrism in Baroque art, using light and absence of light to create the \u201cChiaroscuro\u201d. In many of his work, darkness is trying to devour all the subjects from the canvas turning the canvas space in nothingness, the horror to cease to exist, a powerful way to represent forces in opposition under the allegoric symbolism and cultural European values of the Baroque. The drama is evident, light vs. darkness."),i.a.createElement("p",{align:"justify"},"\u2022 In the triptych painting \u201cThe Garden of Earthly Delights\u201d by Hieronymus Bosch, he literally divides the Hell from Eden by physically divide them with different wood panels. All the attributes that define the Eden in the left panel and those defining Hell in a separate right panel. In this work the dichotomy of values and symbolism dualities that oppose each other are unable to coexist in the same space."),i.a.createElement("p",{align:"justify"},"In the jewelry sculptures from this collection, is the opposite, there are not adversarial ideologies, I don\u2019t want to shock the spectator with antagonistic entities colliding, is not Light versus Darkness or the dichotomy of Eden and Hell unable to coexist in the same space and certainly is not Sensualism versus Reason. \u201cTruth\u201d from reason and \u201cSensuality\u201d from the animal in us coexist in harmony and complement each other to form an aesthetic unity or entity in my jewelry pieces. In the Minotaur myth reason and sensualism are mortal enemies, in my jewelry pieces they are lovers."),i.a.createElement("p",{align:"justify"},"Now you have a more precise idea of what kind of \u201cSensual Truth\u201d I am creating.  Is a conceptual chimera and the mythic creature I am trying to create is half reason and half sensuality.  This conceptual chimera is a portrait of humanity, is a portrait of us, half reason and half sensuality.  At this point I discovered incidentally that this \u201cSensual Truth\u201d chimera projects and fit perfectly with the Nicomachean Ethics from Aristotle.  Or maybe, after reading Aristotle in college his ideas were dormant in me and now they arise influencing my jewelry sculptures.  Let me explain the relation: Aristotle defines moral virtue as a disposition to behave in the right manner and as a mean between extremes of deficiency and excess, which are vices.  Aristotle\u2019s Doctrine of the Mean is that virtue consists of finding an appropriate middle ground between two extremes.  It also emphasizes the importance of moderation, we achieve virtue by finding a middle ground, not by aiming for an extreme."),i.a.createElement("p",{align:"justify"},"And the ethics that the collection projects is Aristotelian because it wants to find a middle point which avoids extremes. In this collection I am trying to achieve in the designs an equilibrium between sensualism and reason, avoiding the irrational excess from sensualism that could end in decadence and decadent art but also avoiding the excess from reason that wants to control everything ending in tyranny or pragmatic fascism.  This tyranny is well represented in The Bacchae by Pentheus King of Thebes who represent reason and order, trying to subjugate the indomitable human spirit represented by Dionysus, with artificial decrees of the state that culminate in repression."),i.a.createElement("p",{align:"justify"},"Now I am in trouble, I am genuinely concerned that the moderation in the Aristotelian ethics destroy the possibility of finding and projecting aesthetic excitement from the extremes in this collection, specifically from the sensual extreme, because aesthetic equilibrium kills the extremes.  Why is so important for me the sensual extreme? In art, bursts of intense sensual excitation is a trick commonly used by artists, like in music with adagios for violin that make us cry or the use of spices from a chef\u2019s gastronomic partiture when composing a symphony for the palate, which could culminate in mystical ecstasy, like in the novel \u201cBabette\u2019s Feast\u201d by Karen Blixen.  Those burst of sensualism remember us that we have a soul that vibrate and resonate in life, like a living harp, when the appropriate sensual strings are touched."),i.a.createElement("p",{align:"justify"},"Remember that we can feel the universe and we can think the universe and is easier to derive satisfaction and happiness with an orgasm than by reading Plato. I don\u2019t want this Jewelry collection to lose the empathic connection with the sensual side that feel.  I don\u2019t want my work to be hermetic and only enjoyable for intellectual elites.  Sensuality from the animal in all of us is a common channel of distribution for an artist to communicate. Sensuality is the universal medium and with it I can democratize the joy of life in the jewelry sculptures from this collection."),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"To represent the concept of \u201cTruth\u201d")),i.a.createElement("p",{align:"justify"},"I use Euclidian axiomatic geometry, Platonic solids, Kepler-poinsot polyhedron, Small Hexagonal Hexecontahedron and other analytical geometries.  Because they are indubitable analytical truths by definition without the need to find empiric experiences in the physical world to validate their truth. You can be tempted to use non-analytical knowledge to represent the truth, like for example, a complex synthetic judgment as proposed by Emanuel Kant in his philosophical work \u201cCritique of Pure Reason\u201d. But these are deep waters I prefer to avoid in this collection because synthetic propositions can be challenged at any moment and analytical axioms where the predicate is contained in its subject can\u2019t be challenged."),i.a.createElement("p",{align:"justify"},i.a.createElement("br",null),i.a.createElement("strong",null,"To represent the concept of \u201cSensuality\u201d")),i.a.createElement("p",{align:"justify"},"To achieve sensuality, I will use the following components:"),i.a.createElement("p",{align:"justify"},"\u2022 Dionysus"),i.a.createElement("p",{align:"justify"},"\u2022 A tropical rainforest"),i.a.createElement("p",{align:"justify"},"\u2022 A group of rebels called \u201cLes Fauves\u201d (wild beasts)"),i.a.createElement("p",{align:"justify"},"\u2022 Fetishism"),i.a.createElement("p",{align:"justify"},"\u2022 A prehistoric hyperbole"),i.a.createElement("p",{align:"justify"},i.a.createElement("br",null),i.a.createElement("strong",null,"The Dionysus Component")),i.a.createElement("p",{align:"justify"},"The quest for the Dionysian spirit (Dionysus deconstructed). Deconstruct Dionysus, the god of sensualism, to find its essence and put his attributes in the jewelry pieces."),i.a.createElement("p",{align:"justify"},"Euripides in his play The Bacchae, represents Dionysus as a liberator of social oppression from the tyranny of decrees based in false morals.  Dionysus represent the freedom to be what you are, what you want to be, and not what society and the state wants you to be with its institutionalized prejudices. Dionysus is a rebel, a revolutionary, a social order disruptor and an agent of cultural mutation. Dionysus represent liberty in its purest form.  That's why Pentheus king of Thebes failed in his attempt to imprison him and in the Homeric Hymn to Dionysus: \u201cThe Tyrrhenian pirates wanted to tie him up in harsh bondage, but the ties of the bonds could not hold him, and the cords made of willow fell off him, all over the place, falling right off his hands and feet\u201d.  Euripides and Homer understand that you cannot tie, chain or incarcerate pure freedom, because Dionysus is chaos the opposite of the Apollonian ordered form, and you cannot tie what has no form."),i.a.createElement("p",{align:"justify"},"Pentheus, the ruler of the Theban state and preserver of social order, finds the Apollonian principles threatened by the Dionysian rites bringing the women from the city (law and order) into the forest (irrational instincts). The Theban women drunken cavorting with an irrational behavior defying the mores and legal codes regulating Theban society. Pentheus arrested and imprisoned the Theban women, forbidding they to worship Dionysus, later Dionysus liberate women. Under Dionysus protection women are capable to practice freedom of religion, drink wine, intoxicate, sing and dance in any social event and have sex freely as they wish, just like men, and not restrained by Pentheus that symbolizes male authority and roles imposed by male authority. The Bacchae is a complex and profound literature masterpiece and unfortunately this is a short essay and we cannot cover all its valuable meanings."),i.a.createElement("p",{align:"justify"},"We know from The Bacchae that Dionysus live in the forest with the wild beasts (nature) and Pentheus live in the palace, an ordered space, an object made possible with geometry, mathematics and reasoning in the form of architecture.  Architecture made habitable sculptures at grand scale and sculptures are the most Apollonian of all arts for its dependency in form."),i.a.createElement("p",{align:"justify"},i.a.createElement("br",null),i.a.createElement("strong",null,"The Tropical Rain Forest Component")),i.a.createElement("p",{align:"justify"},"Dionysus live in the forest and the tropical rain forest fit perfectly as Dionysus abode and represent the Dionysian attributes. Because few things could be more sensual than the promiscuity of life from a tropical rain forest ecologically rich in life diversity with a high density of species per square meter, intoxicating our senses with a symphony of smells, tactic textures, colors and sounds. Is an intense experience, like an ecological version of Goethe\u2019s Faust Walpurgis Night cooking in the cauldron of witches the most amazing Quantum Biology. Where life experiment with a universe of genes with the only purpose to perpetuate life with new life forms (species), And this nature\u2019s orgy of genes is the only way for earth\u2019s life to achieve immortality, a Dionysian attribute.  In the tropical rain forests the impetus of life is evident in perpetuating its existence. The raw origin of what we sublimate culturally with human language as the joy of life and Dionysian rites of the spring.  And I need to find something in the tropical rain forest that carry the Dionysian spirit, but what? What in the forest is the ",i.a.createElement("strong",null,"P")," with sufficient condition to represent ",i.a.createElement("strong",null,"Q")," the concept of Dionysian sensualism?"),i.a.createElement("p",{align:"justify"},"Jewelry sculptures are made with five elements: concept (ideas), form, texture, color and the interacting surroundings landscape where you enclave the sculpture, in art to wear the landscape is the human body.  The first choice to achieve sensualism is the use of the form modified with curves for sensual volumes. I could give you more than a thousand examples from different art periods, but the following is enough: \u201cNude Woman in a Red Armchair\u201d, 1932 by Pablo Picasso.  But I cannot use sensual volumes because the form is already taken by the non-sensual analytical axiomatic geometry."),i.a.createElement("p",{align:"justify"},"then what is left to achieve sensuality is texture or color. I like the idea of etch some Guilloche \u201cExpressionism\u201d undulated textures, to compose a textural lyricism visually intoxicated as a metaphor for Dionysian intoxicated wine.  Unfortunately, the texture element is also already taken, in this case by gems. I plan to texturize the designs with diamonds for a kinetic light effect, a dance of photons that impart to the piece \u201cethereal kinetic dynamism\u201d. I try to use the excellent light refraction property of diamonds as generators of spiritual light aura force field surrounding the piece (mysticism) and not the traditional use of diamonds to communicate opulence and wealth status.  Although we have to recognize that opulence as an excess is a Dionysian attribute. The diamonds also impart to the piece visual topography to the flat faces of the Euclidian triangles to achieve visual depth, as diamonds are translucent and embedded inside the axiomatic geometric forms.  Unfortunately, the kind of intense sensuality I need to achieve is not well represented with diamonds, diamonds are not \u201cFauvism\u201d elements, they play an important role but I need more sensualism, I need hyper-sensualism.  After setting the diamonds, the residual space from the faces of the Platonic Solids and other geometries is too small to etch or engrave.  I don\u2019t have enough space left to write an eloquent texture language to engage the brain of the spectator in sensual mode."),i.a.createElement("p",{align:"justify"},i.a.createElement("br",null),i.a.createElement("strong",null,"The Fauvism Component")),i.a.createElement("p",{align:"justify"},"If I cannot use form or texture to communicate sensuality, then what is left to achieve sensuality is color. It has to be colors that vibrate in the human spirit with great intensity and with the help of some art rebels from the beginning of the twenty century I will achieve the task. A group of revolutionaries that burned the traditional color palette and give us a new color palette without restrictions, an extreme sensual palette, a Dionysian palette.  Those revolutionaries are called \u201cLes Fauves\u201d (wild beasts) and you know them and the Fauvism Movement well: Georges Braque, Henri Matisse, Andr\xe9 Derain, Maurice de Vlaminck, Kees van Dongen, Raoul Dufy and others."),i.a.createElement("p",{align:"justify"},"They liberated the intense colors from the aesthetic conservative establishment who declared the intense colors as something vulgar and taboo.  As Dionysius liberate us from false morals that consider some intense behaviors vulgar or taboo from authoritarian conservatives that expel repression from every pore, witch hunters, dream crushers, life\u2019s gravediggers afraid to unleash the human spirit that want to enslave us with the chains of fear, living in an ethical cave like Plato\u2019s Allegory of the Cave."),i.a.createElement("p",{align:"justify"},"I may sound a little too liberal for your taste, but remember, as an artist with studies in The Humanities, I am not been educated to be a sheep from a flock, as an artist I been trained to explore, break the rules and innovate, this is the nature of my profession.  And this liberal attitude trait is important for society because behavioral flexibility is considered a key component to species survival by paleontologists and anthropologists. And believe me, nothing is more behavioral flexible than a liberal artist."),i.a.createElement("p",{align:"justify"},"For me the Fauvism Movement was an oracle of sensualism, a protest song of profound social dimension.  You can imagine how conservative was the Europe of the early 20th century that considered certain textures and intense colors from the Fauvism Movement as something vulgar and detestable that should be rejected according to conservative aesthetic-ethical model of the time.  Now, I know what to search in the tropical rain forest, I need something with intense Fauvism colors."),i.a.createElement("p",{align:"justify"},i.a.createElement("br",null),i.a.createElement("strong",null,"The Fetishism Component")),i.a.createElement("p",{align:"justify"},"Fetishism is the emic attribution of inherent value or powers to an object. Like an animist I want to impart the vitality, fertility, feeling, intensity and other Dionysian attributes found in the tropical rain forest to the art piece.  This fetishism approach is an exercise no different than when our Neolithic ancestors wore a necklace of claws from ferocious animals in the believe the claws necklace as a fetish transmitted the power and ferocious spirit from the beast to the person who wear the necklace.  My animism fetish approach is the transfer of sensuality with tropical rain forest fauvism colors with the hope they invigorate and give live and sensual meaning to the jewelry pieces, and as a skin of sensuality adhere to the analytical geometrical forms. I want these intense fauvism colors to neutralize the absence of life from the analytical Euclidian geometry that is so perfect in its rational mathematical definition that there is no space for chaos and mystery. And remember, we are exploring threw art the path to humanity, how can we find humanity without mystery? humanity is not a mechanical clock of causes and effects."),i.a.createElement("p",{align:"justify"},i.a.createElement("br",null),i.a.createElement("strong",null,"The Prehistoric Hyperbole Component")),i.a.createElement("p",{align:"justify"},"When we talk about hyperboles, immediately come to our minds the hyperboles of Homer in the Iliad and the Odyssey or in the verses of the Bhagavad Gita.  But about thirty thousand years ago this technique was already used masterfully."),i.a.createElement("p",{align:"justify"},"In the Upper Paleolithic age, the Homo sapiens made an extraordinary art expression discovery thirty thousand years ago, that extended to the Neolithic and even the Bronze Age, that I want to replicate in this collection.  They hyperbolized the form with exaggerated volumes to create a hyperbole of fertility with a disproportioned belly and breasts in the prehistoric Venuses. These prehistoric artists invented a technique extremely valuable in the art language that is truly a conceptual device and tool to construct and deliver ideas. An honest and straightforward flawless method to communicate and emphasize a social value that the collective need to survive and perpetuate, \u201cThe Fertility\u201d. They created a pictorial volume hyperbole to communicate and promote the importance of fertility. In the Upper Paleolithic era fertility was everything, fertility was a device of power, life continuity and the cultural core value for the clan survivor, the strength was in the numbers in a time of high infant mortality, without antibiotics, without man-made structures to defend from predators and without agriculture to fabricate our food, at this point we were not yet divorced from the ecosystem and we were very vulnerable.  I am in gratitude debt to these prehistoric artists that teach me this technique to construct a pictorial hyperbole to send a valuable bold and clear message to society, they use form and volume and I intend to use colors thirty thousand years later. I am using the same technique adapted with colors for a chromatic hyperbole to achieve the Dionysian spirit."),i.a.createElement("p",{align:"justify"},"The chromatic hyperbole is the communion with life through the senses, because what is alive feels, is the choir of The Bacchae, the wine that intoxicates, is the Dionysian orgasm that impregnate life with feeling to celebrate the joy of life."),i.a.createElement("p",{align:"justify"},i.a.createElement("br",null),i.a.createElement("strong",null,"All the Components Together")),i.a.createElement("p",{align:"justify"},"My conceptual alchemy to achieve sensualism in this collection is:"),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"The use of intense fauvism colors from a tropical rain forest to propel a chromatic visual hyperbole to be utilized as a fetish of intoxicated sensual joy to represent the Dionysian spirit. ")),i.a.createElement("p",{align:"justify"},"Because life is feeling and Apollonian reason without feeling is just artificial intelligence, that's why we worship Dionysus."),i.a.createElement("p",{align:"justify"},"If you are curious, the colors are from Scutelleridae family of true bugs, commonly known as jewel bugs, I found in the Ta\xedno Indians sacred tropical rain forest named \u201cEl Yunque\u201d. The Caribbean version of the Olympus where god Yukiyu reside in the dwarf forest* at the top of the mountains.  In the Ta\xedno mythology god Yukiyu fights female deity G\xfcabancex the god of chaos that control the power of juracan (hurricane).   This jewel bug species has \u201cFauvism\u201d metallic colors very intense and beautiful, like the rainbow colors of anodized niobium or titanium.",i.a.createElement("br",null),"*High-altitude tropical wet elfin forest with perpetual mist. An amazing place where you do not need psilocybin to hallucinate."),i.a.createElement("p",{align:"justify"},i.a.createElement("br",null),i.a.createElement("strong",null,"Final Note")),i.a.createElement("p",{align:"justify"},"In \u201cArt to Wear\u201d you are not giving to the artist a wall to hang a painting, you are giving your body, is an intimate interaction with the art piece and I do not want to betray your trust, I want my art to be worthy of your body and your soul.  That is why, I always try to put in my jewelry sculptures as much spiritual and cognitive value as I can to please you and provide you with a delightful art experience in your path searching for our humanity, something that mass-produced jewelry from shopping malls cannot provide.  Because their only interest is your money and only your money and this raw capitalism approach masked as art is very disrespectful and promote spiritual and creativity stagnation and we end culturally doomed.  Why you think the French are fighting fiercely the spread of the \u201cFast Food\u201d virus (a crime against humanity) that is killing the art of artisan French cuisine?",i.a.createElement("br",null),i.a.createElement("br",null),"An art proposition is a point of view intended to help us find our position in the Cosmos, to mature and elevate our culture and as intent to engage in art conversational pieces to answer many existential questions and experiencing joy from art dialectic. Not just a vulgar commercial transaction of gold and gems packed in an item called jewelry.   As I mention at the beginning of the essay, it aspires to be a collection of art objects of transcendental meaning.  In shopping malls, you find fast food jewelry and they treat you as a source to extract income, on the other hand I treat you as a sensible intelligent spiritual creature."),i.a.createElement("p",{align:"justify"},"In the language of my ancestors, the Ta\xedno,",i.a.createElement("strong",null,"Yari Nanichi")," means jewel of my heart."),i.a.createElement("br",null),i.a.createElement("br",null)))),i.a.createElement(f.a,{trigger:i.a.createElement(p.a,null,"FAQ"),closeIcon:!0},i.a.createElement(f.a.Content,{scrolling:!0},i.a.createElement(f.a.Description,null,i.a.createElement("p",{align:"center"},i.a.createElement("strong",null,"Frequently Asked Questions")),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"1.\xa0\xa0\xa0\xa0How is the Digital Cryptographic Token related to the artwork?"),i.a.createElement("p",{align:"justify"},"The Token is the digital representation of a license agreement that grant you permission to manufacture one unit of the design with specific manufacturing instructions to achieve the finest product quality.\xa0\xa0\xa0After the piece of jewelry has been manufactured, the token becomes the certificate of authenticity of the artwork, asset title and proof of ownership of the tangible physical asset."),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"2.\xa0\xa0\xa0\xa0Am I obligated to manufacture the jewelry piece after acquiring the Token?"),i.a.createElement("p",{align:"justify"},"No, the Token by itself is a digital asset that you can sale or trade as any other property.\xa0\xa0\xa0 You can exercise your right to manufacture the piece of jewelry at any time you like."),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"3.\xa0\xa0\xa0\xa0Do you provide the 3D CAD files for 3D printing manufacturing?"),i.a.createElement("p",{align:"justify"},"Yes, our designs include all the necessaries 3D CAD files for 3D printing manufacturing:  wax 3D printing for metal casting or Direct Metal Laser Sintering (DMLS) 3D printing."),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"5.\xa0\xa0\xa0\xa0Do you manufacture your designs?"),i.a.createElement("p",{align:"justify"},"Usually No, our workshop is dedicated to manufacture prototypes to test and validate the fabrication process of our designs to assist better the manufacturer of your choice.\xa0\xa0\xa0 But sometimes, depending on the project, we engage in the manufacturing process."),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"6.\xa0\xa0\xa0\xa0Could you design an exclusive piece for me?"),i.a.createElement("p",{align:"justify"},"Yes, Yari Nanichi love one of a kind exclusive designs."),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"7.\xa0\xa0\xa0\xa0Can Jewelry stores buy Tokens, manufacture the design and sell it at their stores?"),i.a.createElement("p",{align:"justify"},"Yes, as long as the manufactured piece meet the high level of quality described in the licence agreement."),i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},"8.\xa0\xa0\xa0\xa0Are Token holders the owners of the design copyright?"),i.a.createElement("p",{align:"justify"},"No, the designer artist is the sole owner of the design copyright."),i.a.createElement("br",null)))),i.a.createElement(p.a,{href:"https://www.yarinanichi.jewelry/portfolio/contact-studio.html"},"Contact"))}}]),t}(n.Component),g=a(62),b=(a(438),a(246)),w=a.n(b),E=a(247),v=a.n(E),j=a(248),k=a.n(j),T=a(249),x=a.n(T),A=a(250),I=a.n(A),D=a(448),B=a(61),C=function(e){function t(){var e,a;Object(c.a)(this,t);for(var n=arguments.length,i=new Array(n),o=0;o<n;o++)i[o]=arguments[o];return(a=Object(u.a)(this,(e=Object(m.a)(t)).call.apply(e,[this].concat(i)))).state={activeIndex:4},a.handleClick=function(e,t){var n=t.index,i=a.state.activeIndex===n?-1:n;a.setState({activeIndex:i})},a}return Object(d.a)(t,e),Object(h.a)(t,[{key:"render",value:function(){var e=this.state.activeIndex;return i.a.createElement(D.a,{inverted:!0},i.a.createElement(D.a.Title,{active:0===e,index:0,onClick:this.handleClick},i.a.createElement(B.a,{name:"dropdown"}),"Design available for licensing, click here for more information."),i.a.createElement(D.a.Content,{active:0===e},i.a.createElement("div",null,i.a.createElement("p",{align:"justify"},"This design is available for licensing to jewelry stores and jewelry manufacturers. We can guarantee the exclusivity and scarce of this design with limited editions. The granted copyright with registration (VAU001360429) allows us to control the number of units manufactured and guarantee the design exclusivity to jewelry stores and manufacturers. We provide all the necessaries 3D CAD files for 3D printing manufacturing: wax 3D printing for metal casting or Direct Metal Laser Sintering (DMLS) 3D printing.",i.a.createElement("br",null),i.a.createElement("br",null),"We also provide luxury counterfeit Cryptographic Tokenization with Blockchain Smart Contracts Technology.  The digital Cryptographic Token is the title and proof of ownership of the tangible physical asset and the certificate of authenticity of the jewelry piece. Each Token is a non-fungible token (NFT) with ERC-721 standard on the Ethereum Blockchain Network identified with an ID Number. The Token standard ERC-721 enable the tokenization of unique individual assets like this Jewelry Design and its manufactured physical version."))))}}]),t}(n.Component);var P=function(){return i.a.createElement("main",{className:"container"},i.a.createElement("div",{className:"logo"},i.a.createElement("br",null),i.a.createElement("br",null),i.a.createElement("img",{src:l.a,alt:"Yari Nanichi-logo"}),i.a.createElement("p",null,i.a.createElement("strong",null,"Luxury Art Studio")),i.a.createElement("br",null)),i.a.createElement("div",{className:"buttons-bar"},i.a.createElement(y,null)),i.a.createElement("div",{className:"video"},i.a.createElement(g.Player,{fluid:!0,autoPlay:!0,LoadingSpinner:!0,loop:!0,playsInline:!0,poster:"",src:w.a})),i.a.createElement("div",{className:"token_interface"},i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"Meta-Joy Monolithic Bangle:")," Platinum or 18k yellow gold, fused glass enamel and 2,349 diamonds with a total approximation weight of 50 carats.",i.a.createElement("br",null)),i.a.createElement("br",null),i.a.createElement(C,null),i.a.createElement("br",null),i.a.createElement("br",null)),i.a.createElement("div",{className:"video"},i.a.createElement(g.Player,{fluid:!0,LoadingSpinner:!0,loop:!0,playsInline:!0,poster:"",src:v.a})),i.a.createElement("div",{className:"token_interface"},i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"Meta-Joy Necklace and Earrings:")," Platinum or 18k yellow gold, fused glass enamel and 298 diamonds with a total approximation weight of 32 carats. Colored Briolettes can be selected from the following gemstones: Alexandrite, Amethyst, Aquamarine, Benitoite, Blue Sapphire, Chrome Tourmaline, Emerald, Indicolite Tourmaline, Iolite, Jadeite, Mahenge Spinel, Mandarin Spessartite Garnet, Paraiba Tourmaline, Peridot, Pink Sapphire, Pink Spinel, Pink Tourmaline, Purple Garnet, Rubellite Tourmaline, Ruby, Swiss Blue Topaz, Tanzanite, Tsavorite Garnet."),i.a.createElement("br",null),i.a.createElement(C,null),i.a.createElement("br",null),i.a.createElement("br",null)),i.a.createElement("div",{className:"video"},i.a.createElement(g.Player,{fluid:!0,LoadingSpinner:!0,loop:!0,playsInline:!0,poster:"",src:k.a})),i.a.createElement("div",{className:"token_interface"},i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"Meta-Joy Molecule Earrings:")," Platinum or 18k yellow gold, fused glass enamel and 1,087 diamonds with a total approximation weight of 6.5 carats. Colored Briolettes can be selected from the following gemstones: Alexandrite, Amethyst, Aquamarine, Benitoite, Blue Sapphire, Chrome Tourmaline, Emerald, Indicolite Tourmaline, Iolite, Jadeite, Mahenge Spinel, Mandarin Spessartite Garnet, Paraiba Tourmaline, Peridot, Pink Sapphire, Pink Spinel, Pink Tourmaline, Purple Garnet, Rubellite Tourmaline, Ruby, Swiss Blue Topaz, Tanzanite, Tsavorite Garnet. Large sculptural earrings, like this design, are heavy and require to be couple to a headband, like the one shown in the video above and included as part of the design."),i.a.createElement("br",null),i.a.createElement(C,null),i.a.createElement("br",null),i.a.createElement("br",null)),i.a.createElement("div",{className:"video"},i.a.createElement(g.Player,{fluid:!0,LoadingSpinner:!0,loop:!0,playsInline:!0,poster:"",src:x.a})),i.a.createElement("div",{className:"token_interface"},i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"Harlequin Ring:")," Platinum or 18k yellow gold, fused glass enamel and 65 diamonds with a total approximation weight of 2 carats. For the central oval colored gemstone, faceted oval brilliant cut or a non-faceted oval cabochon, you can select from the following gemstones: Alexandrite, Amethyst, Aquamarine, Benitoite, Black Opal, Blue Sapphire, Chrome Tourmaline, Emerald, Indicolite Tourmaline, Iolite, Jadeite, Mahenge Spinel, Paraiba Tourmaline, Peridot, Pink Sapphire, Pink Spinel, Pink Tourmaline (showing above), Purple Garnet, Rubellite Tourmaline, Ruby, Swiss Blue Topaz, Tanzanite, Tsavorite Garnet."),i.a.createElement("br",null),i.a.createElement(C,null),i.a.createElement("br",null),i.a.createElement("br",null)),i.a.createElement("div",{className:"video"},i.a.createElement(g.Player,{fluid:!0,LoadingSpinner:!0,loop:!0,playsInline:!0,poster:"",src:I.a})),i.a.createElement("div",{className:"token_interface"},i.a.createElement("br",null),i.a.createElement("p",{align:"justify"},i.a.createElement("strong",null,"Dionysus Tears Earrings:")," Platinum or 18k yellow gold, fused glass enamel and 1,155 diamonds with a total approximation weight of 8.5 carats. Colored Round Brilliants and Briolettes can be selected from the following gemstones: Alexandrite, Amethyst, Citrine, Chrome Tourmaline, Emerald, Imperial Topaz, Iolite, Jadeite, Mahenge Spinel, Mandarin Spessartite Garnet, Orange Sphalerite, Mexican Opal, Paraiba Tourmaline, Peridot, Pink Sapphire, Pink Spinel, Pink Tourmaline, Purple Garnet, Rubellite Tourmaline, Ruby, Tsavorite Garnet. Large sculptural earrings, like this design, are heavy and require to be couple to a headband, like the one shown in the video above and included as part of the design."),i.a.createElement("br",null),i.a.createElement(C,null),i.a.createElement("br",null),i.a.createElement("br",null)),i.a.createElement("div",{className:"buttons-bar"},i.a.createElement(y,null)),i.a.createElement("div",{className:"logo"},i.a.createElement("br",null),i.a.createElement("br",null),i.a.createElement("img",{src:l.a,alt:"Yari Nanichi-logo"}),i.a.createElement("p",null,i.a.createElement("strong",null,"Luxury Art Studio")),i.a.createElement("p",null,i.a.createElement("strong",null,"For those who are not afraid to live life with intensity until the heart burst for so many emotions.")),i.a.createElement("br",null)))},S=(a(439),a(440),a(139));Boolean("localhost"===window.location.hostname||"[::1]"===window.location.hostname||window.location.hostname.match(/^127(?:\.(?:25[0-5]|2[0-4][0-9]|[01]?[0-9][0-9]?)){3}$/));S.a.initialize("UA-143774300-1"),S.a.pageview(window.location.pathname+window.location.search),r.a.render(i.a.createElement(P,null),document.getElementById("root")),"serviceWorker"in navigator&&navigator.serviceWorker.ready.then((function(e){e.unregister()}))}},[[260,1,2]]]);
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